A look back at this summer, when we undertook the gargantuan task of painting the remaining two sides of our four storey house and the garage.
A look back at this summer, when we undertook the gargantuan task of painting the remaining two sides of our four storey house and the garage.
The eagerly anticipated journals arrive and yours truly takes you on a tour through the embryonic spreads and their real life counterparts.
One of the perks of living in an old house is that you never know what you will find. In attics and basements, in outhouses and barns, you can discover old junk that someone stored there ‘just in case’. Things that first lost their value in the onslaught of the modern, but since then have gained another kind of value through the romantic tint of Olden Stuffe.
During our latest stay at the cabin, we started cleaning out an old barn in order to display some of these old things in a museum-y way that heightens that value. You only have to put something in a frame or a context to make people see it in a more positive light. What looked like rubbish just now, lying thrown in a dusty corner, is suddenly a relic, an artifact. Like these old cake tins.
It takes some doing to brush away the filth of the decades, but it’s very refreshing to survey the result.
And windows that sit in the cracked old concrete walls of a barn where cows were once kept can suddenly become picturesque just because you put some ancient paraphernalia in them.
Pretty, isn’t it? So let’s ignore the piles of still-unsorted junk right outside the frame…
This is art. We know this because it’s called art by people who know these things. In this case, it’s art that I love. It was made by Mats Caldeborg and is called Himmelsförsök och Hund (rough translation: A Try for Heaven and Dog).
But it’s kind of rare that I love visual art that’s officially recognised as such. I have no patience for naivistic painters or splotches of colour. Others love it, great. I want to see what it’s supposed to be.
Like these pictures I got at a second hand shop yesterday. I actually hesitated before buying them, only because I was worried they were too vulgar. But so what? I liked them. They fit my hallway. Why is this even an issue?
Because of prestige. Because liking figurative art, especially if you like it indiscriminately (as in, I’ll hang any old picture of a flower or a boat on the wall as long as it looks like a flower or a boat), is looked down on in some circles. And I get it, I really do. I want my movies to make me think, and I like music that surprises me. I’m not always in the mood for anything lightweight there. But when it comes to visual art, I just don’t want to have to work for it. I want it served on a silver platter. I want it to be pretty.
Because I really love pretty things. Kitschy, vulgar, glittery things that shimmer and sparkle and have lots of colours. I want it to be over the top and gaudy, otherwise what is there to look at?
Sometimes I think I’m caught in some kind of time warp where I’m compelled to buy things I would have adored as a ten year old. It’s definitely the case with fabric, since I am in no way a seamstress, and yet I can’t help buying all these pretty swaths of cheap, spangled material that I never find a use for except to hang from the ceiling in my Indian room.
It’s how I write too. Some people would probably call it purple prose. I call it verbal painting, music in words. What’s the point of text if it’s not beautiful? Over-burdened, yes perhaps. And there is also beauty in simplicity. But to translate a feeling into words, you either have to create a situation for your character that sparks the same reaction inside the reader, or you have to create the image for them by conjuring glitter and sparkle with the help of language.
It’s an age-old battle between the ornate and the minimalistic, and neither is an obvious winner. Sometimes you need the baroque, and other times a bare space.They’re different modes that speak of different things. So yes, I love the riot of colour in my home, but I also love artsy black and white photographs of musicians.
Which is all to say fuck all really. 🙂 Here’s a couple of artsy black and white photographs of a musician.
After a day of work…
… the reward.
Yesterday I finally did something I’ve been wanting to do for about a year: laid a floor on the landing outside one of our front doors (long story, don’t ask). It’s been an eyesore – ugly plastic carpet with paint stains – but now I suddenly had the energy to do something about it.
About a year ago, I started on this tiny space by painting the frankly revolting wall green, but I never got any further. The floor is only three metres square, but it’s still a proper project, you know? You still have to drag out all the STUFF and you have to THINK and DO THE THINGS and you’re working in ergonomically horrible positions and it takes time.
But I’m a firm believer in waiting until your natural instinct – your body – tells you to go ahead instead of working against your energies. So this time, even though I should have been scraping the facade, my instinct guided me to lay floors instead. And because I obeyed that hunch, it went splendidly. 🙂
And the SATISFACTION. So worth it.
Work progresses slowly in the Roman room. Last night I surprised myself by putting in several hours of work – on a day when I’d promised myself not to budge the fraction of an inch from the TV sofa. But it turned out that scraping old floors was the perfect antidote to a goddamn aneurysm over the many stupid flaws of the education system. Win-win.
I’ve been spicing up my videos with royalty free music, so you might want to have a look at my latest effort – tongue firmly in cheek. 😉